Books
"Dressaged Animality: Human and Animal Actors in Contemporary Performance", monograph, London: Routledge, forthcoming 2024.

"Posthumanist Approaches to Critique of Political Economy: Dissident Practices", London: Bloomsbury Press, edited volume, forthcoming.

Articles
Moravec, L., “Sometimes I Think I Was a Parrot, but Then I Realized I Am Only a Fish: On “Animal Art” and Its Contemporary Condition", steirischer herbst, October 2022/2023, https://www.steirischerherbst.at/de/pages/4845/.
 
Moravec, L., 'Gerhard Kaisers's "Way of Seeing": Visual Art Beyond the Digital', German version: 'Gerhard Kaisers "Art des Sehens": Visuelle Kunst am Rande des Digitalen', book publication (forthcoming).

Moravec, L., ‘Eine Frage des Glaubens: Weiße Materialien, Exzessive Körperperformances und Fantastische Tiere bei Günter Brus', (forthcoming).

Moravec, L., ‘Body Politics: Performing with Animals’, in: The Routledge Companion to Bodies in Performance, eds. Ladrón, V. L., Mock, R., Young, H., London: Routledge, (peer-reviewed, forthcoming).

Moravec, L., ‘Dressage Performances as Infrastructural Critique: Mike Kelley and Yvonne Rainer’s Dancing Horses’, in: Dance Chronicle: Studies in Dance and the Related Arts, special issue ‘Critical Institutional Studies’, Olive Mckeon (ed.), Vol. 45, No. 1, February 2022, pp. 57-78 (peer-reviewed).  https://www.tandfonline.com/doi/full/10.1080/01472526.2022.2027182 

Research Collective Performance and Political Economy (Jaswinder Blackwell-Pal, Shane Boyle, Ash Dilks, Caoimhe Mader McGuinness, Olive Mckeon, Lisa Moravec, Alessandro Simari, Clio Unger, Martin Young), ‘Marxist Keywords for Performance’, in: The Journal of Dramatic Theory and Criticism, Eero Laine (ed.), Vol. 36, No. 1, Fall 2021, pp. 25-53 (peer-reviewed). https://muse.jhu.edu/article/841951 

Moravec, L., 'Beuys’ Radikale Tierperformances’/Beuys’ Radical Animal Performances, de/eng, in: Joseph Beuys, Think. Act. Convey, Koenig Books, 2021, pp. 149-162. https://www.buchhandlung-walther-koenig.de/koenig2/index.php?mode=details&showcase=1&art=1622475

Moravec, Lisa, ‘Beyond The Threshold? Artistic Performances in Contemporary Art Museums: Anne Imhof’s Sex’, in: Tagungsband, Verband für österreichische Kunsthistoriker*innen (VöKK), on the occasion of the annual conference 2019, forthcoming 2022.

Moravec, Lisa, ‘The Performance of Dressage: Humans and Animal on the Stage’, in: Contemporary Theatre Review, Vol. 29, No. 4, December 2019, pp. 487-490. https://www.tandfonline.com/doi/abs/10.1080/10486801.2019.1667703?journalCode=gctr20 

Moravec, Lisa, ‘Four Saints in Three Acts: A Snapshot of the American Avant-Garde in the 1930s and Lessing Presents Lessing’, in: Photography & Culture, Vol. 12, Issue 1, March 2019, pp. 133-137. https://www.tandfonline.com/doi/abs/10.1080/17514517.2019.1565740?journalCode=rfpc20 

Translations German-English
Mlodzianoskwi, Sabina, ‘Ottomar Anschütz’s Animal Photography Through the Lens of Darwinism’, translated by Lisa Moravec and Helen Lewandowski, in: ‘Humanism after the Human’, special issue of Photography & Culture, special issue of Photography and Culture, June 2021. https://www.tandfonline.com/doi/full/10.1080/17514517.2021.1920178

Thies-Lehmann, Hans ‘Peter Handke: Inhabiting the World Together’, translated by Lisa Moravec and Karen Jürs-Munby, in: Maria M. Delgado, Bryce, Lease, Dan Rebellato (eds.), Contemporary European Playrights, London: Routledge, 2020.

Art Writing
Moravec, L., Extinct Choreography, a dialogical text for Georg Blaschke's latest performance, Vienna, Dec 2022. 

Moravec, L., 'Oil is Boring', on Tom Streit's painting, April 2022. 
https://tomstreit.com/wp-content/uploads/2022/08/Tom-Streit_Text-by-Lisa-Moravec.pdf.  

Moravec, L., ‘A Grotesque Allegory of Life: Eszter Salamon’s Monument 0.6: HETEROCHRONY’, in: Eszter Salamon, artist publication (forthcoming).

Moravec, L., ‘EXIT II (The Beloved Dies)’, in: Tim Plamper, artist publication on the occasion of the show Galerie NoD, Prag, 2021. 

Moravec, Lisa, ‘Spellbound Things: Hands of Stone, Michael Armitage’s ‘Conjestina’, in: Love Spells: Rituals for another World, Lilly Markaki and Caroline Harris (eds.), Independent Publishing Network, March 2021.
https://lovespellsrhul.wixsite.com/2020

Moravec, Lisa ‘Komisch’, in: RischArt_Projekte, JAJA – NEINNEIN – VIELLEICHT (Sophia Süßmilch), Gasteig München, November 2020. https://www.gasteig.de/veranstaltungen/15-rischart-projekt-2020-jaja-neinnein-vielleicht.html,v64076

Moravec, Lisa, 'Kokon', gallery text to Sophia Süßmilch's solo exhibition, Galerie Krobath, Vienna, 8.11-2019-29.02.2020.
https://www.galeriekrobath.at/2006-2020/de/archiv/08-11-2019_c/ 

Moravec, Lisa, ‘Worming a Revolution: Matthias Mollners Wurmloch’, in: Matthias Mollner: Evolution Revolution, artist catalogue, Wien: monochrome, September 2019.
https://shop.monochrom.at/product/matthias-mollner-evolution-revolution/

Moravec, Lisa, ‘Prometheus’ (Poem), in: Anna Kuen, Prometheus, artist book, December 2019.

Moravec, Lisa, 'Lena Lapschina’s Street Photography Trees and Poets [The Urbanist’s Alphabet]: Encountering Nature and Art in the City of San Diego', in: Lena Lapschina, exhibition catalog, Vienna, November 2017, unrealised/unpublished.

Moravec, Lisa, Karen Irmer: Don’t Come Back Wave, folder publication, May 2017.

Journal Editing
Moravec, Lisa and Leask, Josephine, editorial ‘Balancing Acts’, special issue of Platform: Journal of the Performing Arts, October 2021. https://www.royalholloway.ac.uk/research-and-teaching/departments-and-schools/drama-theatre-and-dance/studying-here/postgraduate-research/platform-journal/current-issue/  

Moravec, Lisa and Lewandowski, Helen, editorial-essay to ‘Humanism after the Human’, special issue of Photography and Culture, June 2021.
- with contributions by Sarah E. James, Marietta Kesting, Sabina Mlodzianoskwi, Magdalena Nieslony, Erica Payet, Julia Peck, Julian Stallabrass, Joanna Zylinska.
 https://www-tandfonline-com.ezproxy01.rhul.ac.uk/toc/rfpc20/14/2?nav=tocList?nav=tocList 

Moravec, Lisa, and Julia Peetz (eds.), Editorial ‘On Magic’, Platform: Journal of Theatre and Performing Arts, Vol. 12, No. 2, winter 2018. https://www.royalholloway.ac.uk/media/8418/00_full_issue.pdf

Moravec, Lisa, Leask, Josephine, Unger, Clio, Editorial to ‘On Criticism’, Platform: Journal of Theatre and Performing Arts, Vol. 13, No. 1, autumn 2019. https://www.royalholloway.ac.uk/media/8418/00_full_issue.pdf

Book/Performance Review Editor of Platform (founded the performance review section)
Peetz, Julia and Weiner, Raz (eds.), issue on ‘Feasting’, Platform: Journal of the Performing Arts, serving as book and performance review editor, Vol. 12, No. 1, summer 2018. https://www.royalholloway.ac.uk/media/8419/00_full_issue.pdf
 
Peetz, Julia and Weiner, Raz (eds.), issue on ‘Authenticity’, Platform: Journal of the Performing Arts, Vol. 11, autumn 2017. https://www.royalholloway.ac.uk/media/5437/00_full.pdf

Book Reviews
Joseph Beuys by Claudia Mesch, London: Reaktion Books, 2017, in: The Burlington Magazine, March 2021.
 
Foucault &Theatre, edited by Tony Fisher and Kélina Gotman, Manchester and New York: Manchester University Press, 2019, in: Contemporary Theatre Review, Vol. 30, No. 3, 2020, pp. 415-417. https://www.tandfonline.com/doi/abs/10.1080/10486801.2020.1772593

Der Esel auf der Bühne by Maximilian Haas, in: Tierstudien: Tiergeschichten, 16/2019, Neofelis Verlag,
2019, pp. 184-6. 

The Sixth Sense of the Avant-Garde: Dance, Kinaesthesia and the Arts in Revolutionary Russia by Irina Sirotkina
and Roger Smith, in: Platform: Journal of Theatre and Performing Arts, Vol. 12, No. 1, Spring 2018, pp. 100-103.