LISA MORAVEC
Writer, curator, critic, editor, lecturer,
body practitioner
specialised in the intersections of the performing and visual arts
Parnass Kunstmgazin
'Ein Gespräch zwischen Jetzt und Damals: Günter Brus wird 85', September 2023.
https://www.parnass.at/news/guenter-brus-wird-85
Spike Art Magazine
‘Naked Hymns: An Interview with Doris Uhlich’, July 2023.
https://www.spikeartmagazine.com/?q=articles/people-interview-doris-uhlich-impulstanz-2023
‘An Interview with Marina Otero’, 26 July 2023.
https://www.spikeartmagazine.com/?q=articles/people-interview-marina-otero-impulstanz-2023
The Theatre Times
Alexandra Bachzetsis, performance '2020: Obscene', Tanzquartier, Wien, March 2023. https://thetheatretimes.com/you-came-to-see-the-obscene-2020-obscene/
Fernanda Muñoz-Newsome, “‘Inchoate Buzz’: Testing Ground for Interaction & Interdisciplinary’, Dec 2019
https://thetheatretimes.com/inchoate-buzz-a-testing-ground-for-interaction-and-interdisciplinarity/
‘Bodily Dressage: Cruel and Optimistic Pleasures of the Speaking and Moving Body’
Text on Peter Stamer/Frank Willens’s ‘In the Penal Colony’ and Willens’s ‘Radiant Optimism’ https://thetheatretimes.com/bodily-dressage-cruel-and-optimistic-pleasures-of-the-speaking-and-moving-body
Corpusweb.net
Essay on Boris Charmatz’s Noli me tangere: A Happening for Herz-Jesu, steirischer Herbst 2022, Sept 2022.
https://www.corpusweb.net/a-dance-happening-at-steirischer-herbst.html
Texte zur Kunst, DE
‘Staging Dalí’, (written with Hong Zeiss), Belvedere21, Vienna, September 2022.
https://www.textezurkunst.de/de/articles/lisa-moravec-hong-zeiss-staging-dali/
‘Co-Habitation A Manifesto for the Solidarity of Non-Humans & Humans in Urban Space’, Silent Green, Berlin, July 2021.
https://www.textezurkunst.de/en/articles/lisa-moravec-how-can-we-live-together/
Wiener Festwochen, AT
‘Ein Nachklang des modernen Wiens’, on Friede auf Erden by Ulla von Brandenburg & Schönberg Chor & singers. Performance, Wiener Festwochen, Einführungstext in die Arbeit, May 2022.
https://www.festwochen.at/en/gallery/friede-auf-erden
Tanzquartier Magazin, AT
Moravec, L., ‘Tanzkörper: Noch einmal mit Animalität‘, on Ian Kaler’s dance Ecto-Fictions, Parasol, April 2022.
https://tqw.at/en/tanzkoerper-noch-einmal-mit-animalitaet/
Burlington Contemporary, UK
‘Sweat‘, Haus der Kunst, Munich, September 2021.
https://contemporary.burlington.org.uk/reviews/reviews/sweat
PW-Magazine, AT
‘A Material Gesture of Collectivity: “Handspells. Kunsthalle Wien Prize 2021”’, March 2022.
On Tim Plamper’s performance ‘Security III (Tiger)’, December 2021.
https://www.pw-magazine.com/2021/watch-the-video-trailer-of-tim-plampers-security-iii-tiger/
‘The Value of Physical Presentness: “HERE” by Maria Hassabi’, June 2021.
https://www.pw-magazine.com/2021/the-value-of-physical-presentness-here/
‘To be kind«: Nonviolent Drawings, Ambiguous Identities’, Till Megerle at the Secession, Vienna, March 2021.
https://www.pw-magazine.com/2021/to-be-kind/
‘Another Aesthetic Crisis: Ecological Disasters & Photographic Landscapes’, group exhibition at Kunst Haus Wien, December 2020. https://www.pw-magazine.com/2020/another-aesthetic-crisis-ecological-disasters- and-photographic-landscapes/
Interview mit Sophia Sußmilch, Wie Die Komikpferde in die Kunst kommen, 28 August 2018. https://www.pw-magazine.com/2018/sophia-suessmilch-wie-die-komikpferde-in-die-kunst-kommen/
springerin, AT
'Virtuelle Performance: Zum Multimedia-Event Planetary Skins von Sylvia Eckermann und Gerald Nestler', Galerie Elisabeth & Klaus Thoman, Innsbruck, im Netzteil, September 2023.
Hysterical Mining, Kunsthalle Wien, September 2019. https://www.academia.edu/42783952/Exhibition_Review_Hysterical_Mining_group_exhibiti on_Kunsthalle_Wien_published_in_springerin_4_2019_Austria (uploaded here)
Cristina Luca’s exhibition Global Edges, O.K., Linz, Mai 2017.
https://www.academia.edu/34003925/Exhibition_Review_Cristina_Lucas_Global_Edges_pu blished_in_springerin_July_2017_Austria (uploaded here)
Benny Ramsay’s exhibition Une Autre Voix, Tiroler Kunstverein, Innsbruck, January 2017.
https://www.academia.edu/31326743/Exhibition_Review_Benny_Nemerofsky_Ramsay_Une _Autre_V oix_published_in_springerin_January_2017_Austria (uploaded here)
Engagée, Online, AT
Essay on the live performance of the event A Thousand Masculinities, Vienna, February 2019. https://engagee.blog/2019/02/24/what-makes-man/
Aesthetica Magazine, UK (print only)
Oli Kellet: Cross Road Blues, HackelBury Fine Art, February 2019. EIKON, AT (print only)
Under Cover: A Secret History of Cross-Dressing, Photographers’ Gallery, London, March 2018.
Studio International, UK
Interview, Ross Birrell, Athens-Kassel ride, documenta#14, September 2017. https://www.studiointernational.com/index.php/ross-birrell-interview-the-athens-kassel-ride-transit-of- hermes-criollo
Interview, Köken Ergun: The Turkish Image of the Soldier, documenta#14, December 2017. https://www.studiointernational.com/index.php/koken-ergun-interview-i-soldier
Virtual Normality: Women Net Artists 2.0., Leipzig, February, 2018. https://www.studiointernational.com/index.php/virtual-normality-women-net-artists-2-0-review
Cécile B. Evans: Amos’ World, mumok, Wien, April 2018. https://www.studiointernational.com/index.php/cecile-b-evans-amos-world-episode-one-review-mumok- vienna
Widewalls.ch/Magazine, CH
Interview with Daniel Richter, 11 April 2017.
https://www.widewalls.ch/magazine/daniel-richter-interview
Interview mit Gabriele Rothemann, 19 April 2017.
https://www.widewalls.ch/magazine/gabriele-rothemann-interview
Signe Pierce at Galerie Halgand, 23 March 2017.
https://www.widewalls.ch/magazine/signe-pierce-galerie-nathalie-halgand
Yuri Pattison, Citizens of Nowhere, Kunstverein Kevin Space, Vienna, 30 March, 2017. https://www.widewalls.ch/magazine/yuri-pattison-kevin-space-vienna
Mike Kelley/Franz West, Belvedere 21, 5 April 2017.
https://www.widewalls.ch/magazine/mike-kelley-21-er-haus-vienna
ART UK
Essay, Alfred Munning’s horses, women, and animal paintings, December 2016.
https://artuk.org/discover/stories/alfred-munnings-the-delight-of-painting-horses
Reflektor-M (run by Maria Inés Plazo), GER
Texts to exhibitions in local galleries/museums in Munich, on the Venice Biennale 2015 and documenta14, 2015.
Russian Art & Culture UK, 2015-16.
'Guising Human Pain', essay, Anastasia Khoroshilova’s 'Die Übrigen' & 'Starie Novosti', 2 July 2015,
https://watchfineartslondon.wordpress.com/2015/07/07/guising-human-pain/ (uploaded)
'Identity: A Question of Language', essay, A. Jermolaewa’s Self-Portrait, Kremlin Doppelgänger.
https://watchfineartslondon.wordpress.com/2015/05/19/identity-a-question-of-language-2/
'VKhuTEMAS: A Russian Laboratory of Modernity’, review, Gropius-Bau exhibition, Feb 2015. https://watchfineartslondon.wordpress.com/2015/02/27/vkhutemas-a-russian-laboratory-of-modernity- architectural-designs-1920-1930-at-the-gropius-bau-in-berlin/
'At Home with Rodchenko and Stepanova', Pushkin Museum of Fine Arts, review, Moscow, 2016.
https://watchfineartslondon.wordpress.com/2015/01/31/at-home-with-rodchenko-and-stepanova-at-the- pushkin-museum-of-fine-arts-moscow/
PhotoLondon: Moving Contemporary Russian Photography, June 2016. https://watchfineartslondon.wordpress.com/2016/07/17/photolondon-moving-contemporary-russian- photography/
WatchFineArtsLondon, Blog (Selection), 2012- 2018
Lee Miller’s War Photography, essay, Sep 2015
https://watchfineartslondon.wordpress.com/2015/09/03/lee-miller-in-vogue/
Gorden Cheung’s stock market paintings, a series, Oct 2012-Dec 2013
https://watchfineartslondon.wordpress.com/tag/gordon-cheung/
‘Seduced By Art’: Photography A Form of Art?’, January 2013
https://watchfineartslondon.wordpress.com/2013/01/21/seduced-by-art-explains-art-of-the-present-by- looking-at-the-past/
China here we go, July 2012
https://watchfineartslondon.wordpress.com/2012/07/02/china-here-we-are/
Die Presse, AT
Von der Boku zum kamerunischen Bierbauern, 18 Aug 2010.
Gouma: ‘Müssen Österreich nicht bereichern’, 14 Sept 2010.
https://www.univie.ac.at/kritische-migrationsforschung/presse/Bereichern_DiePresse_140910.pdf